COLLECTION THAT DEFINES YOUR OWN SURVEYS THROUGH THE "THEORY OF THE FORM", SHAPE DOES NOT SUBALTER TO THE FUNCTIONS, BUT IN HARMONY TO THE CONSTRAINTS OF THE SAME. TECHNOLOGICAL FUNCTION AND AESTHETIC COMPONENT AS LANGUAGE TERMS AND EXPRESSIVE MEANS OF GESTALT. DEEPLY ATTENTION TO THE RULES OF RELATIONSHIP BETWEEN VOLUMES, RULES OF RIGHT PROPORTIONS, THICKNESS THICKNESSES, SINCERITY OF MATERIALS, EVERYTHING THIS PROPOSED AS UNIQUE ORNAMENT. THE MATTER BECOMES A FOUNDING ASPECT OF THE PROJECT PROCESS; THROUGH THE STUDY OF CONTENTS AND MATERIALS, IT COMES TO THE DEFINITION OF THE "FORM", NOT TO USE THE DICOTOMY SHAPE AND CONTENT, A NEW CONTEXT FOR AN OLD SUBJECT.